4/29/2023 0 Comments Khamosh dialogue audio![]() ![]() Turkish cinema went through a significant process of change during the 1990s when a number of rising directors began depicting the suffocations of marginalized people in low budget minimalistic films. Films discussed include: Code Unknown, The Pianist, The Time of the Wolf and Caché. ![]() This paper discusses Haneke's films within the so-called genre of the 'Art House' film and within the context of the Heimat film genre – Haneke introduces an uncanny and uncomfortable element into each of these homely categories. Haneke's criticisms are particularly aimed at the comparatively wealthy bourgeoisie, but it is in his ambiguous presentation of hope that we might perhaps see the possibility, however slight, of redemption. In order to explore this idea as it is worked through in his films, it will be useful to revisit Freud's formulation of the unheimlich. Narratives of domestic dispute often position the violence of such abuse as an aberration, but Haneke indicates that the home is fundamentally predicated on aggression and fear rather than kindness and security. The films of the Austrian director, Michael Haneke, provide an austere meditation on possible problems with the concept of the domestic environment as a space of safety. ![]()
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